Estudio Mariscal. Diseño mediterráneo
«Calle Pellaires», le digo al taxista que me recoge en el aeropuerto.
«¿Donde Mariscal?», me responde.
Autor Redacción
The bottle of Tomorrow
In 2006, the USA alone produced 2.7 million tons of PET plastic, 80% of which ended up “as is“ in the dump. Brandimage has created a fully recyclable bottle composed of two layers of bamboo or palm tree paper pulp and a waterproof inner lining made of biodegradable PLA. To open it, the top of the bottle pulls off and doubles as the lid. Dubbed the 360 Paper Water Bottle, the name of the container designed by Jim Warner refers to the integral vision of a project that re-thinks production and design.
La botella de mañana
En 2006, sólo EE UU produjo 2,7 millones de toneladas de botellas de plástico PET de las cuales más del 80% fueron a parar, sin transformación, al vertedero. Brandimage ha creado una botella completamente reciclable: compuesta por dos capas de pasta de papel, proveniente de vegetales como el bambú o la palmera; con una lámina interior impermeable realizada en PLA, un material biodegradable.
Leonardo Sonnoli
Graphic designer Leonardo Sonnoli’s (Trieste, 1962) work exudes a good deal of wisdom. His distinguished trajectory not only makes reference to his roots, but also evolves from cultural criteria.
Twentieth Edition of the Chaumont Festival
Ever since the team comprised of Pierre Bernard, Alex Jordan, Vincent Perrottet and Jean-François Millier took over the organisation of the Festival International de l’Affiche et du Graphisme in 2002, its contents have been revamped, bringing the general public, professionals and students together for what has become a landmark in today’s design world.
The International Poster and Graphic Arts Festival of Chaumont currently represents a model that applies an interdisciplinary app
Vigésima edición del Festival de Chaumont
Desde que en el año 2002 el equipo formado por Pierre Bernard, Alex Jordan, Vincent Perrottet y Jean-François Millier se hiciera cargo de su organización, el Festival International de l’Affiche et du Graphisme ha revitalizado sus contenidos, integrando al público general con profesionales y estudiantes, para convertirse a día de hoy en toda una referencia dentro del circuito del diseño.
Reza Abedini
What a good start to 2005 for Reza Abedini. he took a gold award in Hong Kong’s poster triennale, one of many poster events currently enlivening the graphic design scene in the far east (from tokyo to Pekin via Taipei), open to entries from visual cultures beyond the border (or, better said, borders). and entries come not only from the west, but also from the middle east – a territory that (supposedly global) ‘chat’ culture seems to show little inclination to get to know or understand more about.
